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Wondrous Conducting and a Fine Cast in Tosca at the Royal Oper...

Sam Smith

Based on Victorien Sardou’s 1887 French-language play, Giacomo Puccini’s Tosca of 1900, with a libretto by Luigi Illica and Giuseppe Giacosa, not only occurs in a specific time and place, but on a precise date that can be linked to an historical event. All of the action takes place during the afternoon, evening and early morning of 17 and 18 June 1800, following the Battle of Marengo between Napoleon’s army and Austrian forces. The Austrians were initially...


Adriana Lecouvreur at the Liceu: Less Sincere is the Truth

Xavier Pujol

Adriana Lecouvreur has returned to the Liceu, a title that is an authentic operone, with a great vocal score and an orchestration of high level and full of details; a very great drama, with four acts, ballet, three imposing characters and an intense dramatic conflict on a libretto with no special poetic relevance. A work with a very rare aesthetic situation given that, ascribed by the time of composition (it was premiered in 1902) to verismo, it is not about screams and stabbings...


Festival of Voices For A Naïve Cenerentola at the Liceu

Xavier Pujol

La Cenerentola, even more than Il Barbiere di Siviglia, is the true encyclopaedia of Rossinian singing which, in a barbarically summarized form, could be defined as a singing that must be easy, fluid, light, but in no way inconsistent; a line full of high notes to which the interpreter should never arrive puffing, exhausted, strangled and at the limit of their strength after a risky climb, but should fly over it elegantly and lightly, taking advantage of the fact that Rossini never forces...


Irish National Opera Brings Vivaldi’s L’Olimpiade to the Royal...

Sam Smith

Antonio Vivaldi’s L'Olimpiade uses an Italian libretto by Pietro Metastasio that was originally written for Antonio Caldara’s eponymous 1733 opera. Vivaldi’s own version premiered at Venice’s Teatro Sant’Angelo on 17 February 1734, while the libretto would go on to be set to music by over fifty composers including Giovanni Battista Pergolesi in 1735. The action takes place in ancient times in Sicyon during an Olympic Games. Megacle plans to enter...


A Surreal Double Bill: Larmes de couteau and Full Moon in Marc...

Sam Smith

This Royal Opera double bill, performed by Jette Parker Artists, presents two one-act operas that were written at broadly opposite ends of the twentieth century, but received their premieres just eight years apart. Bohuslav Martinů composed Larmes de couteau, to a French libretto by Georges Ribemont-Dessaignes, in 1928, but it did not receive its premiere until 1969 at the State Theatre, Brno. The music demonstrates the composer’s then preoccupation with jazz, while the story...


The London Philharmonic Orchestra is the Star of Götterdämmeru...

Sam Smith

Götterdämmerung is the fourth and final opera in Richard Wagner’s tetralogy Der Ring des Nibelungen, and premiered at the Bayreuth Festspielhaus on 17 August 1876 as part of the first performance of the entire work. The first three operas tell the story of the overthrow of the old world order of the gods, who rule through order, contract and treaty, by the mortals whose power derives from morality, reason and, above all, love. The moment that encapsulates the...


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