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The Great Gatsby: A Masterpiece of Design at the London Coliseum

Sam Smith

It is exactly one hundred years since F. Scott Fitzgerald’s The Great Gatsby was published in 1925. It received generally positive reviews, but some critics felt it compared unfavourably with his previous novels This Side of Paradise (1920) and The Beautiful and Damned (1922), and it was not a great commercial success. In fact, when Fitzgerald died in 1940 he believed himself to be a failure and that his work would soon be forgotten. However, during World War II the Council on...


Aigul Akhmetshina Dazzles in Carmen Once More at the Royal Bal...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875, with a libretto by Ludovic Halévy and Henri Meilhac, is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal,...


First Rate Revival of Andrei Serban’s Turandot at the Royal Ba...

Sam Smith

Turandot, with a libretto by Giuseppe Adami and Renato Simoni, is Giacomo Puccini’s final opera. It was left unfinished at the time of his death in 1924, and posthumously completed by Franco Alfano before premiering at Milan’s Teatro alla Scala in 1926. There have subsequently been other completions of the score, most notably by Luciano Berio in 2001, but the Alfano version remains the most frequently performed, and is the one used in this instance.  Set in Peking in...


Lohengrin Sounded ‘Silvery Blue’ at the Gran Teatre del Liceu

Xavier Pujol

Thomas Mann, in one of the most famous cases of audio-visual synaesthesia, stated in a letter to visual artist Emil Pretorius that Lohengrin’s sound is ‘silvery blue’. It may be so. Josep Pons, the great triumph of the premiere night achieved Lohengrin’s beautiful silvery blue sound. Pons, the principal conductor at Liceu’s Orchestra since 2012, achieved with this Lohengrin one of the best performances of the orchestra in the last few seasons. The ensemble...


First Revival of Adele Thomas’ Il trovatore at the Royal Balle...

Sam Smith

Giuseppe Verdi’s Il trovatore of 1853, with a libretto by Salvadore Cammarano and Leone Emanuele Bardare, is based on Antonio García Gutiérrez’s Spanish play El trovador of 1836. Set in fifteenth century Spain it tells of the noble lady Leonora who is in love with the troubadour Manrico, but is herself loved by the Count di Luna, a nobleman in the service of the Prince of Aragon. The Count’s younger brother Garzia supposedly died in infancy when a...


Triumphant World Premiere of Mark-Anthony Turnage’s Festen at ...

Sam Smith

Thomas Vinterberg’s 1998 film Festen (The Celebration) is a black comedy in which the emphasis should arguably be on the word ‘black’ rather than ‘comedy’. Now, Mark-Anthony Turnage has adapted it into an opera, varying the original story in places. Set in 1989 in a hotel in the Danish countryside, run by Helge and Else Klingefeldt, it sees a gathering to celebrate Helge’s sixtieth birthday. Many friends and family members are in attendance...


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