A new production of I Puritani, Bellini’s last opera, a highly esteemed title at Liceu, was chosen to inaugurate the new season. The vocal demands of I Puritani are fearsome and great voices are required to achieve success in the two main roles. Liceu made sure this was covered by casting one of the trendy couples of today’s bel canto scene. Mexican tenor Javier Camarena and young South African soprano Pretty Yende will be featuring together in five different titles this season...

The Liceu closes its season with the slightly surprising restaging of its own setting (co-production with the Teatro Real de Madrid) of La Favorite’s original French version by Donizetti. This opera had been very popular at the Liceu during the 19th and 20th centuries, with over 200 accumulated performances, although only 10 of which were of the French version and these took place in the early 21st century.  The restaging appears surprising as 16 years ago it was...

The new Manon Lescaut production presented at Liceu, a co-production by Teatro di San Carlo from Naples and Palau de les Arts Reina Sofia from Valencia, starts at the Ellis Island in New York, a world referent for immigration. It is there that an old Des Grieux recalls his past and the romantic relationship that he had in his youth with Manon Lescaut. The whole opera by Puccini is presented therefore as an immense flashback. The scenography will transform to show us successively the Amiens...

Demon, the opera by Anton Rubinstein with libretto by Pavel Alexandrovich Viskovatov based on the homonymous poem by Mikhail Lermontov, was premiered in 1875 and was performed often in Russia towards the end of the 19th century, but today is an opera outside the repertoire, almost a rarity. The fact that Liceu decided to participate in a co-production of the title alongside the Helikon Opera from Moscow, the Staatstheater from Nürnberg and the Opéra National de Bordeaux,...

Opera is the most complex and interdisciplinary form of artistic expression created by Western culture, all scenic and musical arts are represented. In this state of affairs, in the same way that it is very difficult to totally ruin an operatic performance it is even a greater challenge to achieve absolute perfection. Nevertheless, this is – or almost is – what happened in the premiere of Andrea Chénier at Liceu, one of the foundational titles of the verismo movement...

The stage is a space where life – or its simulation – is presented in an intense, concentrated way, where emotions and feelings guide the characters and their actions. In theatre, especially in opera, and in general in all scenic arts, the aim is always to achieve something intense. Life is tepid, the stage is always hot. If one cannot achieve an extraordinary success one must at least achieve an extraordinary failure that grabs the attention. Anything but an anodyne,...