Columns linked to Josep Pons

Liceu: A New Expression for the Dark Beauty of Shostakovich

Xavier Pujol

As the year commemorating the fiftieth anniversary of Dmitri Shostakovich's death approaches, smart theatres are preparing new productions of Lady Macbeth of the Mtsensk District, the composer's second, last and most famous opera, with the idea of renting it out to other theatres and thus recouping their investment. Beyond its many musical and dramatic merits, this opera, one of the finest of the 20th century, is - unfortunately - known for the fact that Stalin disliked it and...


Calixto Bieito’s Old Carmen Still Full of Strength at the Gran...

Xavier Pujol

The Liceu has opened the year with a revival that is also a birthday party. In 1999, the Peralada Festival commissioned Calixto Bieito to stage direct a new production of Carmen. In 2010 and 2015 this Carmen, which has travelled to more than 70 theatres around the world, could be seen at Liceu. Now, on the 25th anniversary of the premiere, it has returned once again to the Barcelona stage. Carmen was the title that placed Bieito's name in the international panorama of opera...


Onegin, Solitude and Loneliness at the Liceu

Xavier Pujol

Gran Teatre del Liceu has inaugurated the new season by putting Tchaikovsky's Eugene Onegin on stage in a new co-production between the Barcelona theatre, Den Norske Opera in Oslo, which premiered the production in 2020, and Teatro Real of Madrid that will present it next season. This new approach to this surprising intimate wonder – Tchaikovsky called it "lyrical scenes" rather than opera – based on the novel of the same name in verse by Aleksandr Pushkin,...


Gran Teatre del Liceu: And Now Who Will Redeem Us From Parsifal?

Xavier Pujol

The chorus sings its last phrase, the mysterious and enigmatic "Erlösung dem Erlöser" (Redemption to the redeemer) while greeting a Parsifal dressed more or less like a fascist dictator. Kundry, the Jewess, does not expire placidly after being baptized but, alarmed by what she sees and, above all, by what she foresees, she packs her bags and goes into exile, the curtain falls. The question is obvious: And now who will redeem us from Parsifal? Thus ends the Parsifal...


Macbeth at the Liceu, The Great Party Of Wickedness

Xavier Pujol

If Shakespeare's Macbeth is already bloodthirsty, dark, barbaric, ferocious, atavistic and telluric, Verdi's operatic reworking of this work not only keeps intact the strength of the original but, by concentrating and essentialising it, he even increases it. Verdi's Macbeth is the ultimate party of wickedness and an orgy of moral perversion. Stylistically, it is a rare opera that does not fit anywhere – chronologically it should be inscribed in late bel canto, but...


Don Pasquale, the Opera That Never Fails

Xavier Pujol

It is difficult to achieve great success when singing or conducting Don Pasquale, but it is also difficult to fail. Don Pasquale, the last capolavoro of opera buffa, is a comfortable and friendly work which does not present major problems. Vocal requirements are important though perfectly acceptable for professional singers and the same goes for the orchestral part. The work is not one of those mythical titles in the repertoire that make or break a career. There are devotees of...