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Sam Smith

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Smith

Sam

Londres

United Kingdom

Chroniqueur depuis le 11 March 2015

Toutes ses chroniques .195

First Revival of Barrie Kosky’s Carmen at the Royal Opera Hous...

Sam Smith

Based on Prosper Mérimée’s eponymous novella, Georges Bizet’s Carmen of 1875 is the story of the ultimate temptress. A gypsy and cigarette factory worker in Seville, Carmen has the power to entice any man she chooses. Once, however, they are besotted with her she quickly moves on, leaving them heart broken and unable to accept what has happened. In the opera Don José, an army corporal, has almost everything he could ever desire. He has the sweet, loving...


Triumphant Return for Jonathan Miller’s La bohème at the Londo...

Sam Smith

Giacomo Puccini’s 1896 creation La bohème is one of the most frequently performed operas in the world today. Set in 1830s Paris, it focuses on six young adults and the love that four of them find with each other amidst the most impoverished of circumstances. One couple, Marcello and Musetta, have a stormy relationship but their frequent battles prove that their love actually has staying power. Rodolfo and Mimì, on the other hand, enjoy an apparently perfect love,...


A Staged Version of Britten’s War Requiem at the London Coliseum

Sam Smith

While most composers’ settings of the Catholic Church’s Requiem Mass were written to honour departed individuals, Benjamin Britten’s War Requiem is rather different. It was commissioned to be performed at the consecration of the newly built Coventry Cathedral in 1962, the old structure having been bombed during the Second World War. It was therefore designed to commemorate all lives lost in war, and, although circumstances prevented this from happening, it was planned for...


Excellent Performances Lift Simon Boccanegra at the Royal Oper...

Sam Smith

Simon Boccanegra, originally of 1857 but revised in 1881, has not traditionally been seen as Verdi’s greatest creation. When, however, in 2010 Plácido Domingo took on the title role, his first as a baritone, at the Royal Opera House in Elijah Moshinsky’s 1991 production, it injected a new level of interest into the piece. English National Opera got in on the act with a ‘film noir’ production in 2011, while Moshinsky’s version enjoyed a further revival...


Strong Revival of David Alden’s Lucia di Lammermoor at the Lon...

Sam Smith

Based on Sir Walter Scott’s historical novel The Bride of Lammermoor, Donizetti’s Lucia di Lammermoor of 1835 is set in Scotland. The Ashton and Ravenswood families have a long-standing hatred of each other with the former family now owning the estate that previously belonged to the latter. The Ashtons have themselves fallen on hard times, however, leading the Master of Lammermoor Enrico to insist that his sister Lucia marry Lord Arturo Bucklaw in order to restore the...


A Masterly Performance of Verdi’s Messa da Requiem at the Roya...

Sam Smith

Although German conductor and Wagner associate Hans von Bülow was being derogatory when he described Verdi’s Messa da Requiem as an ‘opera in ecclesiastical garb’ (he later retracted the remark), it is a comment that describes the inherent power and theatricality of the piece. Such a description does not, in fact, need to carry negative connotations for as Verdi’s second wife, the soprano Giuseppina Strepponi, wrote, a composer must write as the texts inspire...