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Sam Smith
Smith
Sam
Londres
United Kingdom
Chroniqueur depuis le 11 March 2015
Toutes ses chroniques .206
Iain Bell’s New Opera, Jack the Ripper: The Women of Whitechap...
Sam SmithJack the Ripper: The Women of Whitechapel is a new opera by composer Iain Bell and librettist Fiona Jenkins, and represents a co-commission between English National Opera and Opera North. Though the figure of the killer has enjoyed much attention as his identity, motive and mindset have been speculated on throughout the ages, the women he dispatched and mutilated have been more or less forgotten. This opera intends to redress the balance by considering the poverty they experienced that put...
Outstanding Cast Delivers in La forza del destino at the Royal...
Sam SmithSet in eighteenth century Spain, Verdi’s La forza del destino sees the Marquis of Calatrava oppose his daughter Leonora’s South American lover Don Alvaro, believing he is not good enough for her. When, however, Don Alvaro surrenders himself to prove that he never violated her, he throws down his pistol and accidentally kills the Marquis when it goes off. Leonora’s brother Don Carlo sets out to avenge his father’s death but he and Don Alvaro end up fighting side by...
Flying High with The Magic Flute at the London Coliseum
Sam SmithThe Magic Flute is Mozart’s final opera, and takes the form of a Singspiel that combines singing with spoken dialogue. In it, the Queen of the Night persuades Prince Tamino to rescue her daughter Pamina from captivity under the high priest Sarastro, who she claims is evil. As Tamino goes about his quest, however, and falls in love with Pamina, he learns that things are the other way around. The Queen of the Night represents the forces of darkness, while Sarastro’s community...
First Revival of Così fan tutte at the Royal Opera House, Cove...
Sam SmithOriginally set in Naples, Mozart’s Così fan tutte of 1790 sees the philosopher Don Alfonso challenge two soldiers, Ferrando and Guglielmo, to prove that their respective fiancées, the sisters Dorabella and Fiordiligi, are faithful. He is certain that no woman ever is, but the younger men are so convinced of their own lovers’ fidelity that they agree to a wager with him. They will pretend to be called away to war and then return disguised as Albanians to try...
A Very Merry Widow at the London Coliseum
Sam SmithFranz Lehár’s The Merry Widow (or Die lustige Witwe) is an operetta that was immensely popular on its premiere in 1905, and has continued to cause much amusement in opera houses ever since. Based on Henri Meilhac’s play L'attaché d'ambassadeof 1861, it tells of one Hanna Glawari who is a merry widow because, when her husband died, he left her a fortune of twenty million francs. She comes from the small Balkan principality of Pontevedro whose economy is...
English National Opera at its Very Best in Akhnaten at the Lon...
Sam SmithPhilip Glass, who is recognised as one of the leading proponents of minimalism in the world today, has written over twenty-five operas, a total achieved by hardly any composer since the days of Rossini, Donizetti and Verdi. Three of these form the ‘portrait trilogy’, which focuses on pivotal figures in the fields of science, politics and religion respectively. Einstein on the Beach premiered in 1976, Satyagraha (about Mahatma Gandhi) followed in 1980, and then the triptych was...